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@ Francisco Luis
2024-01-03 09:46:02Posthumous work of the Colombian poet born in Don Matias on January 20, 1948.
Welcome to this blog dedicated to the Posthumous work of the Colombian poet Francisco Luis Arroyave Tabares (my father), born in Don Matias on January 20, 1948-2010. Where I will be publishing each of the 175 sonnets from his unpublished collection 'Sonnets For The Twenty-First Century And A Circadian Musical (1984-1987).' Analyzed with GPT4 artificial intelligence and illustrated with AI tools... I hope you enjoy this garden of words snatched from the solitude of a locked room.
Likewise, any enthusiast of the sonnet form is invited to conduct their personal studies of Arroyave Tabares' work, as it is a collection that, although registered since 1989, has not yet been published.
Frank Duna
Analysis "Apotheosis"
Introduction
Sonnet 55 by Francisco Luis Arroyave Tabares, titled "Apotheosis," is a profound exploration of the human spirit, love, and the divine.
Thematic Analysis
The octave presents a vivid picture of the human soul, which is depicted as a place of deep emotions and experiences. The speaker talks about the nourishment of the heart with "sweet voices" and the journey through "ancient airs," which could symbolize the timeless nature of love and human connection. The speaker also asserts that "perennial shadows," possibly representing challenges or negative forces, cannot tarnish their happiness or their "mificent sky." This could be interpreted as a testament to the resilience and strength of the human spirit.
The sestet shifts the focus to the world and the divine. The "fleet world" could symbolize the transient nature of life, while the "rich distant sparks" could represent the divine or the eternal. The speaker talks about "apotheosizing our minds with One," which could mean elevating their minds to the divine or seeking spiritual enlightenment. The sonnet ends with the powerful image of becoming "light" and wandering in the heavens, which could symbolize spiritual transcendence or unity with the divine.
Overall, Sonnet 55 is a deeply spiritual and philosophical poem that explores themes of love,, the transient nature of life, and the quest for spiritual enlightenment. The use of rich and evocative imagery adds depth and complexity to these themes, making the sonnet a compelling exploration of the human condition.
Rhyme Scheme
The poem 'Apotheosis' by Francisco Luis Arroyave Tabares uses a traditional Petrarchan sonnet rhyme structure, which is ABBA ABBA CDE CDE. This rhyme structure helps give the poem a sense of balance and symmetry, which is important as the poem explores themes of love and divinity.
Here's a breakdown of the rhyme scheme:
Octave (ABBA ABBA):
``` 1. drear (A) 2. fly (B) 3. I (B) 4. clear (A)
- smear (A)
- dry (B)
- sky (B)
- fear (A) ```
Sestet (CDE CDE):
``` 9. human (C)
10. gleam (D) 11. wonder (E)- One (C)
- beam (D)
- wander (E) ```
Overall, the rhyme structure of the poem 'Apotheosis' helps give the poem a sense of balance and symmetry, reflecting the themes of love and divinity explored in the verses. The rhyme also helps tie together the different elements of the poem and gives it a smooth and musical rhythm."
Additional Aspects to Analyze
Let’s delve deeper into the analysis of the sonnet “Apotheosis” by Francisco Luis Arroyave Tabares.
Language and Imagery: The language used in the sonnet is rich and evocative, painting vivid images in the reader’s mind. The poet uses metaphors and similes to convey the depth of emotions and experiences. For instance, phrases like “Deep in our souls”, “Perennial shadows”, and “fleet world full of things partly human” create a sense of depth and vastness. The imagery of “ancient airs”, “magnificent sky”, and “rich distant sparks” evoke a sense of timelessness and grandeur.
Themes: The primary themes of the sonnet are love, valor, and transcendence. The poet speaks of a deep, soulful connection between two individuals, their courage in the face of fear, and their spiritual transformation or apotheosis. The theme of transcendence is particularly evident in the sestet, where the individuals become one with the source of an eternal beam, becoming light themselves and wandering in the heavens.
Meter: The sonnet appears to follow the traditional iambic pentameter, which is common in Petrarchan sonnets. This means each line consists of five pairs of syllables, with the stress falling on the second syllable of each pair. However, without the original text in its native language, it’s hard to confirm the exact meter.
Overall, “Apotheosis” is a beautifully crafted sonnet that explores profound themes through rich language and imagery. It adheres to the traditional structure of a Petrarchan sonnet, with an octave and a sestet, and possibly follows the iambic pentameter. The sonnet takes the reader on a journey from the depths of the soul to the heights of the heavens, reflecting the poet’s deep understanding of human emotions and experiences.
(GPT4)
Syllable count for each line.
```
Apotheosis
10 Deep in our souls, beyond all laugh and drear 10 We feed our hearts with sweet voices and fly 10 Throughout ancient airs in which you and I 10 Learnt to define love til it became clear.
10 Perennial shadows will never smear 10 Happy visions of which we are not dry 10 Nor will they stain our magnificent sky 10 Since our own valor will chase them to fear.
10 This fleet world full of things partly human
10 Amid the rich distant sparks seems to gleam 10 After we rise and behold its wonder. 10 Apotheosizing our minds with One 10 Who is the source of that eternal beam 10 We can be light and in heavens wander. ***```
Sonnets For The Twenty First Century And A Circadian Musical Written By Francisco Luis Arroyave Tabares (1984-1987)
Analyzed by GPT4; Image by leonardo.ai; First published on Nostr Protocol by franciscoarroyavet@nostrplebs.com
Apotheosis